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CLICK ON EACH PICTURE TO ENLARGE
OTHER CELEBRITIES EAS HAS PERFORMED WITH BUT NOT PICTURED YET
ARE:
THE STAMPS QUARTET
SHERRIL NEILSEN
JOHN WILKINSON
JOE ESPOSITO
JAMES BURTON - TCB
BAND - LEAD GUITARIST FOR ELVIS

Born in Minden, LA, on August 21, 1939, influential
guitarist James Burton got his start in the 1950s as a backup
musician on the radio show Louisiana Hayride, where he met
Dale Hawkins.
Hawkins' 1957 hit, "Suzie Q," was the first in a string of
successes to feature the young Burton. A six-year stint (1958-1964)
recording and touring in
Ricky Nelson's band followed, subsequently landing him a couple
of cameo bits on Ozzie & Harriet. Because of his brilliant
and unique guitar skills — he perfected a style he dubbed "chicken
pickin'" — Burton quickly landed jobs as a side musician for a
diverse cast including:
Buffalo Springfield,
the Monkees,
Elvis Presley's band (from 1969 until
Presley's death in 1977),
Gram Parsons,
Joni Mitchell,
Judy Collins,
John Denver,
Buck Owens, and
Merle Haggard (with the latter two he was an important catalyst
in the fine-tuning of the Bakersfield sound). He later lent his
talents to several
Elvis Costello recordings as well as those by
Gillian Welch,
Jimmie Dale Gilmore, and countless others. With this schedule,
it is no surprise that Burton has only cut two records of his own
over a 40-year career; both his 1969 debut,
Corn Pickin' and Slick Slidin', and his 1971 offering,
The Guitar Sounds of James Burton, provide spotlights on
his legendary pickin'.
  
  

JERRY SCHEFF - TCB
BAND - BASS GUITARIST FOR ELVIS

Bass player Jerry Scheff is a native of San Francisco, and
originally he got his start playing in jazz clubs in the Bay Area at
the age of 15. Following a three-year stint as a musician in the
U.S. Navy, Scheff joined jazz guitarist
Barney Kessel in Los Angeles. After achieving a successful debut
as a jazz string bassist, he decided to seek out session work
instead in the pop/rock world, in which there were ample
opportunities for work in the Los Angeles of the early '60s. With
his appearance on "Along Comes Mary," a hit by vocal group
the Association, the demand for Scheff's services increased
considerably. In the following years, he worked for
the Everly Brothers,
Nancy Sinatra,
Johnny Rivers,
Neil Diamond,
Sammy Davis, Jr.,
Johnny Mathis, and
the Nitty Gritty Dirt Band, among others. In 1971, Scheff
recorded bass parts for
the Doors'
L.A. Woman, leading to his distinctly recognizable
contribution to the hit record "Riders on the Storm."About this
time, Scheff became a member of
Elvis Presley's touring band, and he can be seen performing in
the documentary films Elvis: That's the Way It Is (1970) and
Elvis on Tour (1972) and in the TV concert Aloha from
Hawaii (1973). Though Scheff had been no fan of
Elvis prior to meeting "the
King,"
Presley's artistry won him over in short order, and Scheff would
continue to work with
Presley until his death. Afterward, Scheff worked with
Bob Dylan on the acclaimed album
Street Legal (1978) in addition to session work with
Johnny Cash and
Richard Thompson; in the '70s and '80s he toured with
Elvis Costello,
Sam Phillips, and
John Denver. Scheff also appeared with
Roy Orbison and friends on the TV concert A Black and White
Night (1987). All of Scheff's three sons are musicians, with son
Jason Scheff holding down the bass guitar spot in the band
Chicago since 1985. Jerry Scheff lives in Scotland and continues
to tour and record.
 
  
GLEN D. HARDIN - TCB
BAND - PIANO PLAYER FOR ELVIS

Glen D. Hardin (sometimes spelled Glenn D. Hardin) has
enjoyed a long career in rock & roll and country music,
playing behind some of the most prominent music stars of
the 1970s and 1980s. Born in Ropesville, Tennessee in
1939, he was in his mid-teens as country music began its
transformation into rock & roll, and he got to see
performers such as
Elvis Presley and
Buddy Holly during their early, pre-stardom days.
His own interest lay more with playing than singing — he
learned guitar at a professional level but became truly
proficient on the piano. Hardin's first major gig came
in 1961, when he became a member of
the Crickets, the Texas-spawned band founded by
Buddy Holly and led by drummer
Jerry Allison in the wake of
Holly's death — he played the piano on the singles
"My Little Girl" and "(They Call Her) La Bamba," and on
their album
California Sun; additionally, after
Joe B. Mauldin left the group, Hardin furnished
their bass sound with a Fender Rhodes piano bass. He
also wrote songs with
Crickets guitarist/singer
Sonny Curtis, co-authoring the group's single
"Teardrops Feel Like Rain," and the songs "Count Me In,"
"My Heart's Symphony," and "Where Will the Word Come
From," recorded by their fellow Liberty Records artists
Gary Lewis & the Playboys. During the second half of
the 1960s, Hardin kept busy and highly visible as a
member of
the Shindogs, the house band on the weekly ABC rock
& roll showcase series Shindig, which had been
put together by
Leon Russell and included
James Burton as leader and lead guitarist. He also
played on records by
Merle Haggard and
Hamilton Camp. It was through
Russell that Hardin played on records for
Delaney Bramlett and, in tandem with
Burton that, in 1970, he started working with
Elvis Presley. Although he also played in the
country-rock band
Swampwater, and did sessions with everyone from
Dean Martin to
Gram Parsons and
Linda Ronstadt during this period, Hardin's most
important and long-lasting 1970s gig was with
Elvis — he and
Burton, along with bassist
Jerry Scheff and drummer
Ron Tutt, became what was known informally within
Presley's orbit as "the T.C.B. Band," and they were
at the core of his live and studio performances from
1970 through 1976, a period in which Hardin also wrote
arrangements for the singer. He played on the live
performances and studio tracks that comprised the bulk
of
Presley's comeback legacy, and only quit in 1976, as
Presley's physical and mental condition began to
deteriorate. Hardin jumped right in to
Emmylou Harris' backing group,
the Hot Band, remaining with her into the 1980s, in
addition to playing on records by
Michael Nesmith,
Hoyt Axton,
John Denver, and
Chris Hillman, among others. In recent years, in
addition to playing with
the Crickets on-stage, he has been playing as a
backup musician to
Presley once again, as part of the live band in the
holographic stage entertainment show " Elvis
Lives."

 
  

CHARLIE HODGE - TCB
BAND - VOCALIST - RHYTHM GUITARIST - STAGE ASSISTANT FOR ELVIS

Charlie Hodge spent 17 years as a rhythm guitarist and backup singer
in support of his Army buddy
Elvis Presley. Born in Decatur, AL, on December 14, 1934, Hodge
later graduated from the Stamp School of Music, performing in a
gospel quartet alongside fellow student and future Christian music
pioneer
Bill Gaither. Hodge and his subsequent band,
the Foggy River Boys, went on to some fame during their stint on
country star
Red Foley's ABC television variety series Ozark Jubilee,
but in 1958 he was drafted to serve in the U.S. Army, befriending
Presley during basic training in Fort Hood, TX. Their
relationship continued in Germany, and when their tour of duty
ended, in the spring of 1960
Presley invited Hodge to Memphis to work on his LP
Elvis Is Back! Hodge remained an integral member of the
so-called "Memphis Mafia" for close to two decades, even living on
the grounds of
Presley's Memphis mansion, Graceland. He was also a critical
element of
Presley's stage shows, handing the singer the scarves he tossed
into the audience, and in 1968 he appeared alongside guitarist
Scotty Moore, drummer
D.J. Fontana, and bassist
Alan Fortas during
Presley's landmark NBC television comeback special. Hodge was
present at Graceland at the time of
Presley's August 16, 1977, death and in 1984 published a memoir,
Me 'n' Elvis. Hodge died of lung cancer on March 3, 2006.
  
 
D.J. FONTANA -
ORIGINAL DRUMMER FOR ELVIS

As the longtime drummer behind
Elvis Presley, D.J. Fontana was a seminal force in the
development of rock & roll, joining guitarist
Scotty Moore and bassist
Bill Black in the supporting cast of some of the most enduring
and influential records ever created. Bridging the gap between the
swing of the big band drummers and the raw power of their British
Invasion counterparts, Fontana was explosive yet efficient,
establishing the rhythmic foundation upon which successive
generations of popular music is built. No less an authority than
the Band's
Levon Helm once stated "Elvis
and
Scotty and
Bill were making good music, but it wasn't rock & roll until D.J.
put the backbeat into it."
Born Dominic Joseph Fontana in Shreveport, LA, on March 15, 1931, he
first earned notice drumming behind
T. Tommy Cutrer, a radio personality with Shreveport station
KCIJ who moonlighted as a country singer. Fontana also played local
nightclubs and strip joints, and in 1953 was named the house drummer
of The Louisiana Hayride, the legendary radio showcase
broadcast each Saturday evening from Shreveport's Municipal
Auditorium. So not to offend country purists, he was forced to
perform from behind the stage curtain. Fontana remained out of sight
on October 16, 1954, when he backed
Presley,
Moore, and
Black during their first Hayride appearance. Fontana was
the first drummer ever to back
Presley on-stage, steadfastly avoiding his cymbals and playing
only the backbeat in order to best complement the music.
Although audience response was mixed, Hayride producers
invited
Presley for a return engagement the following month. This time
Fontana performed in front of the curtain, and when
Presley's stage gyrations sent the mostly young, mostly female
crowd into screaming fits, the singer was offered a 12-month
contract with the program. At the end of their Louisiana Hayride
tenure in November 1955,
Moore and
Black convinced
Presley to add Fontana to the lineup full-time, and after the
RCA label acquired the singer's recording contract from Sun Records,
Fontana cut his first studio session on January 10, 1956, backing
Presley on five songs, including his million-selling
breakthrough hit, "Heartbreak Hotel." Fontana's résumé is remarkable
by any standard: he remained with
Elvis for 14 years, playing on more than 400 songs and close to
50 recording sessions across a 12-year span, among them landmark
hits including "Hound Dog," "Don't Be Cruel," and "Jailhouse Rock."
Although
Moore and
Black walked out on
Presley in 1958 in response to a royalty dispute with manager
Colonel Tom Parker, Fontana remained with the organization.
Moore eventually returned to the fold, and in late 1965 both men
served as pallbearers at
Black's funeral.
Moore and Fontana also backed
Presley during his legendary 1968 NBC television comeback
special, effectively serving as a security blanket against the
singer's apprehensions about returning to lean, mean rock & roll
following so many years of bloated Hollywood pap. Fontana finally
cut ties with
Presley once and for all in early 1969. He,
Moore, and longtime backing vocalists
the Jordanaires balked at
Parker's latest salary offer, and when
the Colonel called their bluff, quickly assembling a new backing
crew, it was all over. Fontana settled in Nashville to pursue a
session career, and in the years to follow he played on records
headlined by
Paul McCartney,
Johnny Cash,
Dolly Parton, and
Waylon Jennings. In 1983 Fontana published his memoirs, D.J.
Fontana Remembers Elvis, and in August 1997 — the 20th anniversary
of
Presley's death — he and
Moore reunited for
All the King's Men, a Grammy-winning collection featuring
cameos by
the Rolling Stones'
Keith Richards, fellow guitar great
Jeff Beck, and members of
the Band.
  

THE SWEET INSPIRATIONS
- FEMALE SINGERS FOR ELVIS

If one was cutting a soul, R&B, pop, rock, or girl group record in
New York in the '60s and needed female backup vocals, chances are
they'd try to get the Sweet Inspirations first. The group found
their way onto numerous recordings, including hits by
the Drifters,
Van Morrison,
Wilson Pickett,
Solomon Burke,
Garnett Mimms, and most famously,
Aretha Franklin (with whom they sometimes toured).
The group evolved from the '50s gospel group
the Drinkard Singers. At various points soul singers
Doris Troy,
Judy Clay,
Dionne Warwick, and sister
Dee Dee Warwick were members. By the time they began to record
on their own in 1967, their leader was
Cissy Houston (mother of
Whitney), and the women were renamed the Sweet Inspirations.
As an Atlantic recording act, the group cut some fine sides that
rank among the clearest illustrations of the close links between
soul music and gospel harmony. Usually sticking to material by famed
soul and pop songwriters, they had about a half-dozen moderate R&B
hits in the late '60s; the biggest, "Sweet Inspiration," was a Top
20 pop single.
Houston left the group at the end of the '60s and the
Inspirations left Atlantic in the early '70s, sometimes working with
Elvis Presley and recording an album for Stax in 1973.

 
  
  
THE IMPERIALS QUARTET
- MALE QUARTET FOR ELVIS DURING VEGAS YEARS

The Imperials have been making music since 1964 and have in that
time undergone many personnel and stylistic changes before returning
to the close harmonies and straight Southern gospel songs that
originally made them popular. As of the mid-'90s,
Armond Morales is the only charter member of the Imperials; he
and
Jake Hess founded the quintet. Over the years, 18 different
singers have come and gone, including such legends as
Russ Taff,
Paul Smith, and
Gary McSpadden. Other CCM pop performers such as
Jonathan Pierce also got their start with the Imperials.
On July 31, 1969, Elvis Presley walked out on the stage of
the Las Vegas Hilton International Hotel for the first time in nine
years and sang before an audience of celebrities and fans from all
over the world. Accompanying him on that momentous evening was a 40
piece orchestra, conducted by Joe Guercio, the TCB Band, the Sweet
Inspirations, and the Imperials.
For the next three years, the Imperials backed Elvis in Las Vegas
and on road tours. They also recorded such hits as "Suspicious
Minds" and "In the Ghetto" with the king of rock and roll. They can
be seen in his hit movie "That's The Way It Is". Their history with
Elvis is well documented and available to all interested Elvis fans.
Many fans of years gone by and a new generation of Elvis fans who
never saw him are fascinated by this extraordinary man who made
history.
These former members of the Imperials who were there in
1969 and throughout succeeding years, now have re-formed and are
busy doing concerts and appearances all over the world to Elvis fans
who want to "meet someone who knew Elvis".
Terry Blackwood, lead singer and son of one of the original
Blackwood Brothers Qt., and Joe Moscheo, bass singer and manager of
that original group, have gotten back together. They have many
stories to tell and welcome the chance to sing to Elvis fans. They
are joined by Sherman Andrus, who came to the Imperials in 1972,
just when the group had decided to go back to their gospel roots.
Elvis thought so much of Sherman that he gave him a TCB necklace and
also gave the group his blessings. The tenor, Gus Gaches has a rich
history in gospel music and will thrill you with his soaring high
notes. They have been featured at the 20th and 25th anniversary
concerts in Memphis commemorating the death of Elvis, and have
toured around the world with "Elvis, the Concert" show, also
featuring the Sweet Inspirations, the TCB Band, and Joe Guercio,
orchestra leader.
Consider an evening with the former Imperials as they sing the songs
Elvis sang. Maybe you have an Elvis tribute artist who would love to
sing with the group Elvis thought was the best. Or let them "do
their thing" and they will thrill you with their renditions of
gospel songs which Elvis loved so much.
  

TERRY MIKE JEFFREY -
FRONT MAN FOR TCB BAND - EMMY NOMINATED SINGER / SONGWRITER

Terry Mike Jeffrey: Singer,
Emmy-nominated songwriter, entertainer, multi-instrumentalist,
musical director, arranger, actor. A sort of entertainment
chameleon.
Born in Paducah, KY,
Terry Mike was singing on stage by the age of 3. Throughout
childhood he'd mastered the guitar, piano, sax, and drums. During
high school he made records, TV commercials, jingles, and played the
lead role in his high school senior play.
Fronting his own band since the '70's, Terry has
performed all over the planet. His career highlights include:
- A 1997 Emmy Award
nomination
(songwriting for TV's "Sesame Street")
- Featured vocalist with symphony orchestra "pops"
series concerts (his guitar work is spotlighted on a Warner Brothers
symphonic album)
- Live performances in
Italy, Germany, Sweden, Norway, Switzerland, England, France,
Belgium, Holland, Canada, Hawaii, the Bahamas, and the Caribbean
- Musical director and starring role in "Elvis - An
American Musical", a New York-produced multi-media show organized by
the producers of "Grease" and "Beatlemania". Toured the US and
Canada, with stops at the Fox Theatres and a Broadway run in the
late 1980's
- 2001-02 "Stand By
Your Man - The Tammy Wynette Story" (Ryman Auditorium, Nashville),
played Tammy's father and understudied all male acting and music
roles (2003 in Ft. Worth, Texas.) Terry's other musical theater
adventures have included regional productions of "Beehive" and
"You're A Good Man, Charlie Brown"
- 56 guest appearances on TNN's "Music City Tonight
with Crook & Chase" (mid-'90's). A regular as as a solo vocalist
and musician on the show, Terry Mike shared the stage with the likes
of Shania Twain and Eddy Arnold. During this time his country
project was released, with Billboard Magazine's declaration that the
album was "impressive" and that "Jeffrey's voice is packed with
spark and personality"
- Critical praise from the New York Times, Variety,
Nashville Banner, LA Times, Ottawa Citizen, Houston Post, Memphis
Commercial Appeal, New Haven Register, "Music Row" Magazine
- Feature articles in
USA Today, People Magazine, and Country Weekly
- Live shows with such stars as Jewel, Los Lobos,
Dixie Chicks, Fats Domino, Mavericks, Steve Wariner, Ricky Skaggs,
Leon Russell, Chet Atkins, Jerry Lee Lewis, Carl Perkins, Travis
Tritt
- Network TV appearances on NBC's "Today Show"
(twice!), "CBS This Morning", CNN's "Showbiz Today", and "Live with
Regis and Kathie Lee"
-Worldwide radio
interviews, including London's BBC, Sirius Satellite Radio
Currently Terry Mike
and the band have just released a new album, "Raised on Elvis,
Volume 5". In February 2007 they performed on a cruise of the
Hawaiian Islands, and another cruise is scheduled for Aug/Sept in
the Bahamas. Then TMJ has an extended tour of Europe in the fall of
'07. Terry Mike Jeffrey and his wife, Debbie, still reside in their
hometown of Paducah, KY

 
  

TOM MITCHELL -
ARRANGER - SAXOPHONE FOR JIMMY BUFFET (performed with EAS in West
Palm Beach, Florida)

For the past eight or so years, alongside fellow saxophone player
Amy Lee and trumpet man John Lovell, T.C. Mitchell has been touring
and recording with Jimmy Buffett and the Coral Reefer Band. Together
they comprise the Coral Reefer Horn Section, an integral part of
Jimmy Buffett's big, bad Caribbean sound and stage show.
An ardent fan of such greats as Benny Goodman, Artie Shaw and Count
Basie, T.C. became interested in the sax as a child, after a couple
of frustrating years struggling with the clarinet. On a whim, he
picked up a baritone his school band director offered him, and the
rest is history.
Right now Buffett and the Coral Reefers are on hiatus from the road.
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